"Bells of Silver" is a feather-light, reflective track that sounds like time capsules being opened. This is the first new track from Arn-Identified Flying Objects and Alien Friends in some time. Its personal and generational roots then combine for an intimacy that invites the listener into a place in which memory meets melody.
At the heart of "Bells of Silver" are two stories. It is a celebration of family, with children and grandchildren at the emotional core. In many ways, it also represents the stages of growing up through brief, suggestive recollections of youth. It's a quietly layered tune that neither pushes for memories nor shies away from them, instead, seemingly allowing them to bubble up naturally.
The song is more about warmth and texture. It takes a lot of subtlety and emotional intelligence to drum the way that Andreas Quincy Dahlbäck drums, but you can hear it right away. It propels the song while always preserving its contemplative atmosphere. On the other hand, David Myhr's contributions lend a bright quality to the song. His airy harmonies, inspired by classic, breezy pop, add an ethereal lift that perfectly suits the song's introspective vibe. Using a Hammond organ, he makes the arrangement even more perfect by incorporating an old-school sound that complements the song's sense of looking back and ahead.
That is why the song "Bells of Silver" hits so hard, and it doesn't pull punches. It eschews grand gestures in favor of small, specific details, moments that feel grounded and lived into. It's a song that lingers, not due to its chapter 7 bankruptcy of musical intention, but because it well and truly deserves your attention.
Follow Arn-Identified Flying Objects and Alien Friends on Instagram and Facebook