Jonsor is only 23, but his music sounds like a confession whispered in the dark. His second album, "Gaueko Idazkiak," is a short but powerful seven-track journey that lasts only 18 minutes and 55 seconds. It's short enough to listen to again, but dense enough to stay with you long after the last note fades.
Jonsor is in charge of everything, writing and playing the instruments. He creates a sound that feels handmade, honest, and very personal. Nahia, a 20-year-old singer, is with him. Her voice adds a bright, human touch to the album's dark, introspective mood. You can really feel their chemistry, each song sounds like a conversation between two young artists figuring out how deep their sound is in real time.
"Gaueko Idazkiak" was born from a prize in a music contest. It has an organic look that doesn't allow for too much production. Three songs were recorded live, and the album's minimalist structure is enhanced by subtle percussion and intriguing double-bass overlays. The record has an intimate, almost diary-like quality because the textures of each instrument are preserved. This is true to its title, which makes you think of nighttime writings and private thoughts.
The opening song, "Gaueko," is thrilling and sets the mood for the rest of the album from the start. "Zu, hain garden" shines with emotional clarity, balancing openness with melodic restraint. "Idazkiak" closes the thematic circle, feeling like a final entry in a musical journal. These songs show that Jonsor is good at creating a mood. He doesn't just write songs, he makes emotional spaces for people to walk into.
"Gaueko Idazkiak" is short, but its effects will last. It's a hopeful statement from a young artist who isn't afraid to put honesty ahead of showiness. It gives us a glimpse of a future that feels both grounded and full of quiet ambition. Jonsor's latest album is worth listening to over and over again if you want something real, textured, and good for late-night thinking.